David Auburn’s plays include Lost Lake (Manhattan Theatre Club 2014), The Columnist (MTC/Broadway 2012), The New York Idea (adaptation; Atlantic Theater 2010), and Proof (2001 Pulitzer Prize, Tony Award, New York Drama Critics Circle Award). His film work includes The Girl in the Park, which he wrote and directed. Recent stage directing credits include Anna Christie, A Delicate Balance, Tennessee Williams’ Period of Adjustment (all Berkshire Theatre Group); and the world premiere of Michael Weller’s Side Effects (MCC).
Nan Barnett is a new play developer and producer, and an advocate for theater-makers and the theater they make. She is currently the Executive Director of National New Play Network, the country’s alliance of more than 75 theaters with a dedication to the development, production, and continued life of new plays (www.nnpn.org). During her previous tenures on NNPN’s Executive Committee and as its President, she worked to create and implement several of the organization’s revolutionary programs, including the acclaimed NNPN Rolling World Premieres, the NNPN Playwright and Producer Residencies, and since returning to the Network as its administrative leader, its dynamic data platform, the New Play Exchange. She was a founding company member and the long-time Managing Director of the nation’s largest regional theater producing exclusively new and developing plays, Florida Stage. During her twenty-four seasons there she oversaw the growth of the company and the development and production of hundreds of new plays and musicals for both emerging and seasoned playwrights including Israel Horovitz, Lee Blessing, William Mastrosimone, Tammy Ryan, Steven Dietz, Jeffrey Hatcher, Catherine Trieschmann, Christopher McGovern, Deborah Zoe Laufer, and Nilo Cruz, among others. A graduate of North Carolina School of the Arts’ Professional Actor Training Program, she is the winner of the Theatre League of South Florida’s Remy Award for service to the theatrical community, the Fallon Award for excellence from the Florida Professional Theatre Association, and twice South Florida’s Carbonell Award as an actress. She serves on the Artistic Council for the O’Neill Theatre Center, the Capitol region’s Helen Hayes Awards’ New Play Panel, and is a Coordinating Producer for the upcoming Women’s Voices Theater Festival in Washington, DC, where in the fall of 2015, more than 50 of the area’s professional theaters will each produce a world premiere of a work by a female playwright.
Bostin Christopher – Artistic Associate at Perseverance Theatre (Alaska) where his duties include acting, directing, literary/new play development, and communications.
He has served as a guest artist, and/or workshop leader, at the Last Frontier Theatre Conference (LFTC), the Great Plains Theatre Conference (GPTC), and the William Inge Center for the Arts. He has worked on new plays with NYSF/Public Theatre’s New Work Now!, Manhattan Theatre Club, Theatre for the New City, Moving Arts, Perseverance Theatre, and Northwest Playwrights Alliance/Seattle Rep. He most recently directed the world premiere of Arlitia Jones’ Rush at Everlasting for Perseverance. Previous directing credits include: Harold Pinter’s Betrayal and Alfred Hitchcock’s The 39 Steps at Perseverance, world premiere of Arlitia Jones’ Make Good the Fires, Dawson Moore’s The Tie, and A.R. Gurney’s Sylvia. As an actor, his most recent credits are The Poet in An Iliad, Long John Silver in Treasure Island, Leonard in Theresa Rebeck’s Seminar and fulfilling a life-long dream playing Lennie in Of Mice and Men. Previous acting credits include a couple new plays Off-Broadway (Kit Marlowe, Ice Island) and too many shows to count where he had to wear his own clothes and bring in his spatula as a prop. If you really need more Bostin, you can have him in your face anytime by watching the movies Unbreakable, Otis, Scorpion King 3, or In My Pocket. You might also accidentally catch him in old reruns of Law & Order and Ed among others, and you might be able to get a few laughs if you can find some of his commercials online. Bostin Christopher received his BA from University of Alaska, Anchorage and his MFA from the Professional Actor Training Program at PlayMaker’s Repertory Company/UNC-Chapel Hill. His complete mess of a website can be found online at http://bostinx.com
Eric Coble was born in Edinburgh, Scotland, and raised on the Navajo and Ute reservations in New Mexico and Colorado. His play The Velocity of Autumn premiered on Broadway at the Booth Theatre in 2014, starring Estelle Parsons and Stephen Spinella, directed by Molly Smith. Other scripts include Bright Ideas, The Dead Guy, Southern Rapture, Fairfield, My Barking Dog, A Girl’s Guide to Coffee, and The Giver, and have been produced Off-Broadway, in all fifty states of the U.S., and on several continents, including productions at Manhattan Class Company, The Kennedy Center, Playwrights Horizons, Actors Theatre of Louisville Humana Festival, Denver Center Theatre Company, Arena Stage, New York and Edinburgh Fringe Festivals, Alliance Theatre, The Cleveland Play House, Alabama Shakespeare Festival, South Coast Repertory, Asolo Repertory, Indiana Repertory, Coterie Theatre, Great Lakes Theater Festival, Stages Repertory, Geva Theatre, and The Contemporary American Theatre Festival. Awards include the AATE Distinguished Play Award for Best Adaptation, an Emmy nomination, the Chorpenning Playwriting Award for Body of Work, the AT&T Onstage Award, National Theatre Conference Playwriting Award, an NEA Playwright in Residence Grant, a TCG Extended Collaboration Grant, the Cleveland Arts Prize, two Cuyahoga Arts and Culture Fellowships, and four Ohio Arts Council Individual Excellence Grants.
Ben Corbett is a Designated Linklater Voice Teacher currently teaching at Oklahoma City University. At OCU, he teaches Kristin Linklater’s vocal progression, Sound and Movement, and an Advanced Shakespeare class based upon Kristin’s work in Freeing Shakespeare’s Voice. He has also taught accents and dialects using the Louis Colaianni’s Phonetic Pillows. His professional vocal coaching credits include Shakespeare Dallas, CityRep, William Inge Theatre Festival, Nashville Shakespeare Festival, Oklahoma Shakespeare in the Park, Barter Theatre, Burning Coal Theatre Co., Bare Theatre, and Shakespeare Santa Cruz. Ben’s professional acting credits include two-and-a-half years as a resident actor at Barter Theatre, with additional roles at the William Inge Theatre Festival, City Rep, Blowing Rock Stage Co., Burning Coal Theatre Co., Light Opera Oklahoma, Shakespeare & Co., North Carolina Shakespeare Festival, Three Rivers Shakespeare Festival, and Shakespeare Festival of Dallas. He is also a proud member of Actor’s Equity, and an Associate Editor for Oklahoma for the International Dialects of English Archive.
Danielle Dresden, playwright, actor and residency artist, is the author of 35 plays performed across the United States and in Canada, Mexico and Scotland, and featuring characters ranging from Athena to Zombies. Based in Madison, Wisconsin, she has served as a panelist and presenter at the Last Frontier Theater Festival in Valdez, Alaska, since 2002. She is the co-founder of TAPIT/new works Ensemble Theater, a touring, multi-disciplinary arts organization.
Michael Hood was professor of theatre at the University of Alaska Anchorage for 22 years prior to taking his current position as Dean of the College of Fine Arts at Indiana University of Pennsylvania. He was awarded the President’s Award of the Northwest Drama Conference in 1994, and received the UAA Alumni Award for Distinguished Teaching in 1998. Six of his productions have won regional recognition from the KC/ACTF, most recently The Gentleman Dancing Master for IUP in 2012. Mr. Hood has worked professionally on stage, in film, on radio and television, and has twice directed professionally in the Russian Far East. His production of True West, mounted in Yuzhno-Sahkalinsk in 1994, traveled to acclaim in Khabarovsk and later to Moscow, where it played the new stage at the Moscow Art Theatre in the fall of 1995. It played here in Valdez, at the Last Frontier Theatre Conference in 1996. In 1997, his UAA production of A Piece of My Heart was performed by invitation at the PODIUM Festival in Moscow. He continues to direct for IUP and for Unseam’d Shakespeare Company in Pittsburgh (Othello Noir, 2006; Macbeth 3, 2009, The Tempest, or the Enchanted Isle, 2013). He will direct She Kills Monsters at IUP in the fall. His most recent publication (2000) appeared in Theater sans frontieres, a collection of critical essays on the work and process of Canadian director and animateur Robert Lepage. An SAFD certified teacher of stage combat, Hood recently taught unarmed combat workshops for the Nanjing University of the Arts in Nanjing, China and the Fine Arts Institute in Jakarta, Indonesia. He has frequently served as a mentor in the Association for Theatre in Higher Education Leadership Institute, was a Board member of the International Council of Fine Arts Deans, and currently serves as Vice-President and Board Member for the National Theater Conference.
Barclay Kopchak ferries over to Valdez from the lively off-road fishing town of Cordova for her much anticipated annual dose of theatrical inspiration at the Last Frontier Theatre Conference. As president of Stage of the Tide, Cordova’s community theater group, Barclay strives to convert that energy into local productions. She has been a part of such diverse works as Once Upon a Mattress (Queen Agravain), Arlene Hutton’s As It Is in Heaven (producer, Hannah), Baby with the Bathwater (producer, director, Daisy), and most recently Kieran Lynn’s Incident at the Border (producer, director). She has also enlivened local events as a tap dancing razor clam, a singing sockeye, a fish-clad Copper River Queen, and a Games Mistress. Sometimes it takes a village, sometimes it takes a drama queen… Off stage she teaches Spanish, works to promote and fund the soon-to-be-completed Cordova Center, and plays a ridiculous amount of Scrabble.
Gregory Pulver is currently an Associate Professor of costume design, make up and choreography, and the Program Director, for the University of Portland Drama Department. For 20+ years he has taught design, technology, history, choreography, music performance and movement for actors and is a well-respected director of musical theater and comedy. He moved to Portland after a successful run as an Associate Professor of Costume Design at Western Washington University for 12 years and Chair of the WWU Theatre Department for three and a half of those years. Mr. Pulver holds an MFA in costume design and choreography from Humboldt State University, CA. He is the 1993 Kennedy Center American College Theatre Festival National Costume Design Winner for his work on Three Penny Opera. He is a regional theatre designer and the owner of Purpose Design in Portland. Among designing both sets and costumes for Bag and Baggage Theatre, and costumes for ART and Broadway Rose Theatre, in Portland, Gregory has also designed for several short ﬁlms and TV spots in Washington including a dance for the camera ﬁlm. Gregory is also an accomplished singer, actor, and dog owner.
Guillermo Reyes has produced and published a variety of plays including the comedies, Men on the Verge of a His-Panic Breakdown and Mother Lolita as off-Broadway productions with Urban Stages, Chilean Holiday and Saints at the Rave at the Humana Festival at Actors Theatre of Louisville, the historical drama, Madison, at Premiere Stages, winner of the New Play Award 2008, among other plays. In 2010, he published a memoir with the University of Wisconsin Press, entitled Madre and I: A Memoir of our Immigrant Lives, chronicling his immigration from Chile and growing up in the D.C. area and in Hollywood, CA. He’s a professor at Arizona State University in the School of Film, Dance and Theater. Recently, in 2013, his play, Deporting the Divas was published in a new Cambria Series anthology, Gay Drama Now edited by John Clum, and another play, We Lost it at the Movies, was published by the Bilingual Review Press in the anthology, Vaqueeros, Calacas and Hollywood. In 2014, his sketch comedy play, The Hispanick Zone, was also published by L&S Books and is available on Amazon.
Aoise Stratford’s work has been produced in Canada, Austria, Italy, Australia, Belgium, England, and throughout the USA. She is the recipient of several awards including the Alan Minieri Award, A Pinter Review Prize for Drama Silver Medal, the Yukon Pacific Playwright Award, and most recently, the Susan Glaspell Award. Her short plays have also won her ‘best playwright’ awards at several theatres around the country. She has been a finalist for the Actors’ Theatre of Louisville’s Heideman Award and been nominated for an American Theatre Critics’ Association New Play Award for her full-length play Somewhere In Between. Most recently, The Unfortunates, which garnered both the Gloria Anne Peter Award and the Susan Glaspell Award, was a Critics Pick for both Time Out and Backstage at the New York International Fringe Festival. She is a member of the Dramatists Guild, and serves as their regional representative for Central New York. She is currently completing her PhD at Cornell, where she also teaches. She is represented by Beacon Artists Agency NY. Her work has been published by Smith and Kraus, Dramatists Play Service, JAC Press, United Stages, and others. Http://aoisestratford.nfshost.com
Elizabeth Ware is well known to Alaska audiences through her work with Cyrano’s Theatre Company and as a Teaching Artist with the Alaska State Council on the Arts. In recent years at Cyrano’s she has had the privilege of performing such roles as Martha in Who’s Afraid of Virginia Woolf?, Professor Bering in W;t and the title role in Ellen McLaughlin’s Helen. Fascinated by the challenges of the long monologue, she has appeared in four solo performance pieces: Mary Elizabeth Jane Colter in A Woman By Design, Molly Ivins in Red Hot Patriot, Anne Hathaway in Shakespeare’s Will, and the title role in Libby, an original adaptation of the Alaska classic written by her husband David Edgecombe. Libby has been performed throughout Alaska, on National tour, at the Athens Festival of Making Theatre in Greece and at the Edinburgh Fringe, where she received a 4-star review in The Scotsman. She has taught acting at the University of Alaska Anchorage, where she also directed Jon Jory’s adaptation of Sense and Sensibility, Anouilh’s Antigone, a musical version of The Elephant’s Child and The Heidi Chronicles. For Cyrano’s she has recently directed Our Town, The Imaginary Invalid, It’s a Wonderful Life: A Live Radio Play and Red, which was featured at the Last Frontier Theatre Conference in 2013. On stage at the Conference she has also appeared in several of Edward Albee’s plays, including A Delicate Balance and The American Dream, as Libby Beaman in Libby, and in John Guare’s Lake Hollywood. Prior to coming to Alaska she was a featured actor with the Indiana Shakespeare Festival, an experience which has informed her entire career as an educator. As a Teaching Artist she can be found in schools throughout the state introducing young people to Shakespeare. She has received the Anchorage Education Association’s “Friend of Education” award and was guest artist at the Chamber Drama Theatre in Vladivostok, Russia where she performed the role of Titania in A Midsummer Night’s Dream for the Pacific Rim Theatre Festival. She holds undergraduate and graduate degrees in acting from the USIU School of Performing Arts in San Diego and Kent State University.
Carrie Yanagawa has been your new best friend at the Last Frontier Theatre Conference for over a decade. An Anchorage-based director, scenic designer, and painter, she currently serves as the resident scenic charge artist for the Anchorage Opera. Recent directing credits for new one act plays include: the 2014 LFTC 10 Minute Play Slam; Fourplay: Four Short Plays by Alaskans (Three Wise Moose); and numerous installments of the Alaska Overnighters. Selected recent design credits include: Mozart & Salieri; La cambiale di matrimonio (Anchorage Opera); A Gulag Mouse (TossPot Productions); Hedda Gabler, Come to Me, Leopards (Cyrano’s); The Lion, the Witch & the Wardrobe; Antigone (TBA). Selected recent painting credits include: The Magic Flute; Die Fledermaus; Lucia di Lammermoor; Pirates of Penzance; The Sound of Music; Macbeth; La Bohème (AO); A Christmas Carol; Rush at Everlasting; the road weeps, the well runs dry; Betrayal (Perseverance Theatre); The Producers (Earl Cameron Theatre, Bermuda); Beauty & the Beast (Elgiva Theatre, England); The Veil; The Kitchen; Collaborators (National Theatre, London); as well as the feature film Big Miracle.